randian | 燃点

In his performances to date, Li Liao has addressed himself to different environments, exchanging his own presence for outcomes either planned or undefined from the outset. He has been content to place himself directly, and sometimes painfully, in public situations, often seeming to relinquish agency for the sake of experiment. >> Read more

On March 14, Osage reopened with a new space on Caoxi Lu located, surprisingly, in a faux-neoclassical mixed-use compound along a dusty elevated highway. Inside, the space is surprisingly crisp—keeping up to white cube standards... >> Read more

Osage is proud to present Au Hoi Lam: My Father is Over the Ocean, an exhibition featuring paintings and installations that the artist specially made in remembrance of her late father. >> Read more

by Quyen Hoang Will Thurman ‘Life Paintings, Volume 1: 2015-2020’ Galerie Quỳnh (118 Đường Nguyễn Văn Thủ, Đa Kao, District 1, Ho Chi Minh City) Oct. 20­ – Dec.12, 2020 In this fervent age of over-exposure on social media, mystery is a rare commodity. Will Thurman’s solo exhibition presents an intriguing scenario by requesting its visitors to leave their phones […] >> Read more

"Volume Eleven" by Ash Ghazali & S.E.A. FOCUS 2021 featuring Hu Qiren, 16 - 24 Jan 2021 >> Read more

Exhibitions of Chinese art outside China tend to confirm certain assumptions about the country's history, culture, politics, and people. At first, ‘XU ZHEN®: Eternity Vs Evolution’ at the National Gallery of Australia (NGA), Canberra, seems no exception to this rule, promising viewers a proven combination of two enduring preconceptions about China’s past and present. >> Read more

Werner Büttner, Wild Painter in Germany who changed the 1980s. >> Read more

So I am walking in, wandering through this dimly lit, shack-like choral site, a sort of khôrā (χώρα), the territory outside the polis also rooted in it as an invisible receptacle, a housing house. >> Read more

Minimalist, conceptual, and deliberately provocative, Cao’s work reflects upon and exploits the physicality of her materials, from the conventional – marble, stretched linen and canvas – to unexpected, even transgressive, substances including the artist’s own hair, breastmilk and urine, and their various significations. >> Read more

Simon Mordant is one of Australia’s most prolific art collectors and philanthropists. As chair of Australia’s Museum of Contemporary Art and as Australia’s past Venice Biennale Pavilion Commissioner, Mordant has been one of the major forces driving modernization of Australia’s visual arts scene. >> Read more